PhD Candidate
History of Art and Architecture
Harvard University
A Working Woman's Eye: South African Photography and the Modernist Lens of Anne Fischer, 1937-48
Smithsonian Predoctoral Fellow, National Museum of African Art, Washington, D. C.
Fulbright Fellow, Cape Town, South Africa
Guest Lecturer, Art History and Visual Culture, Michaelis School of Fine Art, University of Cape Town, South Africa
Agnes Mongan Curatorial Intern, Division of Modern and Contemporary Art, Harvard Art Museums
Wits Art Museum (WAM) Curatorial Intern, Johannesburg, South Africa
“A Pariah Among Parvenus: Anne Fischer and the Politics of South Africa’s New Realism(s),” October 173 (Summer 2020). (forthcoming)
“A Working Woman’s Eye: Anne Fischer and the South African Photography of Weimar Women in Exile.” In Women and Photography in Africa: Creative Practices and Feminist Challenges, edited by Darren Newbury, Lorena Rizzo, and Kylie Thomas. Abingdon: Routledge, 2021. (forthcoming)
“Printing and the Urgency of Translation: Peter Hujar, David Wojnarowicz, and the Task of Schneider/Erdman, Inc.” In Analog Culture: Printer’s Proofs from the Schneider/Erdman Photography Lab, 1981-2001, edited by Jennifer Quick, 38-63. Cambridge, Mass.: Harvard Art Museums, 2018.
Jessica Williams and Gary Schneider, “Building, Performing, and Translating the Negative: The Working Relationships of Schneider/Erdman, Inc.” VoCA Journal. Web-based publication, http://journal.voca.network/building-performing-and-translating-the-negative/.
Global Modernisms, History of Photography, Women's and Gender Studies